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  • Exuberance

    Arin Sarkissian, flute; Monica Pfau, piano; Brian Yoon, cello
     

    Sunday, January 11 at 2:00 pm

    VENUE: Sylvan United Church, 985 Shawnigan/Mill Bay Road, Mill Bay

    Please note that this concert starts at 2:00

    Victoria-based musicians Sarkissian, Yoon, and Pfau join forces to present Nikolai Kapustin’s Trio, an exhilarating fusion of classical form and jazz-infused brilliance, blending intricate counterpoint, virtuosic interplay, and irresistibly swinging rhythms into a seamless and electrifying musical experience. Also on the program are works by British composer Eugene Goossens, French composers Louise Farrenc and Francis Poulenc, and Robert Schumann.
     

     

    Programme

    Five Impressions of a Holiday, Op.7 (1914) — Eugene Goossens (1893-1962)
    In the hills
    By the rivers
    The water-wheel
    The village church
    At the fair

    Trio for Flute, Cello, and Piano, Op. 45 (1857) — Louise Farrenc (1804-1875)
    Allegro deciso
    Andante
    Scherzo. Vivace
    Finale. Presto

    Adagio and Allegro, Op. 70 (1849) — Robert Schumann (1810-1856)

    Flute Sonata, FP 164 (1957) — Francis Poulenc (1899-1963
    ii. Cantilena

    Trio for Flute, Cello, and Piano, Op. 86 (1998) — Nikolai Kapustin (1937-2020
    i. Allegro molto
    ii. Andante
    iii. Allegro giocoso

    Background information

    Residing in British Columbia, Arin Sarkissian is the Principal Flutist of the Victoria Symphony. The Toronto-born artist was awarded the 2024 Michael Measures 1st Prize by the Canada Council for the Arts and 1st Prize at Orchestre Symphonique de Montréal’s 2020 Concours. Sarkissian performs regularly as featured soloist both in Victoria and beyond, most recently as featured soloist on tour with the National Youth Orchestra of Canada and in a solo recital broadcasted by CBC on behalf of Orchestre Symphonique de Montréal. Orchestral appearances included invitations as fellow with the National Arts Centre Orchestra, substitute for the Vancouver Symphony, and guest Principal Flute with the Los Angeles Chamber Orchestra.

    An accomplished soloist and chamber musician, pianist Monica Pfau has performed on a variety of stages across North America and Europe. Many of her performances have been featured on CBC Radio’s Westcoast Performance and she has recorded with the CBC Vancouver Orchestra under Mario Bernardi, the National Film Board of Canada, and for Australian cinema. A student of Robin Wood, early honours included the Victoria Medal (UVic), the ARCT Performer’s Gold Medal, BC Cultural Fund artist grants, and a DAAD scholarship to the Hochschule für Musik in Munich. Appointed Accompanist-in-Residence at the Banff Centre, Monica performed with renowned artists such as cellist Janos Starker and the Fine Arts Quartet (USA). After completing her Master’s degree in Performance from UBC, Monica won First Prize in the Concerto Competition and made her orchestral debut under Maestro Kazuyoshi Akiyama. She later accepted a Doctoral Fellowship and became a faculty member of the VSO School of Music. Monica is currently working as a collaborative pianist at the University of Victoria.

    Brian Yoon enjoys a multifaceted career as soloist, chamber musician, adjudicator, teacher, and Principal Cello of the Victoria Symphony. Additionally, he was recently appointed as Co-Head of Strings at the Victoria Conservatory of Music. Since winning First Prize at the 35th Eckhardt-Gramatté Competition, Brian has performed from coast to coast, with repertoire ranging from Bach and Beethoven to George Crumb and Metallica. Brian has received generous support from the BC Arts Council, the Canada Council for the Arts, and the Sylva Gelber Music Foundation. He currently plays a 1905 cello by Gaetano Sgarabotto of Milan, purchased with the generous support of Dr. Fritz Boehm and the Gail O’Riordan Memorial Fund for Music and Performing Arts at the Victoria Foundation.

  • ¡España!

    “A level of virtuosity not often heard”….
    “Astonishing synchronicity “….
    “We were transported to a different world.“

    These are some of the remarks heard after yesterday’s program of Spanish music by Domagoj Ivanovic and Noel McRobbie.
    Live classical music at its best, performed by top-notch artists, and deeply appreciated by a warm, attentive audience.

    Our heartfelt thanks to the performers and our wonderful patrons!

  • ¡España!

    Domagoj Ivanović, violin; Noel McRobbie, piano
     

    Sunday, December 7 at 2:30 pm

    VENUE: St Michael & All Angels Anglican Church, Chemainus

    Please note that this concert starts at 2:30

    Audience favourites Noel McRobbie and Domagoj Ivanović return with vibrant, passionate music from the Iberian Peninsula. Their program will feature Spanish composers Manuel de Falla, Joaquín Turina, Enrique Granados, Isaac Albéniz and more. This duo always brings strong programming, outstanding musicianship, and great sensitivity to our series, and we welcome them back with much anticipation!

     

    Programme

    La Gitana — Fritz Kreisler (1875-1962)

    Spanish Dance “Andaluza” No 5, Op. 37 for violin and piano in E minor (arr. Fritz Kreisler)  — Enrique Granados (1867-1916) 

    Suite Populaire Espagnole  — Manuel de Falla (1572-1656)
    i. El Paño Moruno (The Moorish Cloth)
    ii. Nana
    (Lullaby)
    iii. Canción
    (Song)
    iv. Polo
    (Andalusian Dance)
    v. Asturiana
    (Asturian Song)
    vi. Jota
    (North-Eastern Spanish Dance)

    La oración del torero, Op. 34 (arr. Jascha Heifetz) — Joaquín Turina (1882-1949)

    La vida breve: Danza española No. 1 (arr. Fritz Kreisler) — Manuel de Falla (1572-1656)

    España, Op.165 — Isaac Albéniz (1860-1909)

    1. Asturias (arr. Rodolfo Bonucci)
    2. Tango
    (arr. Fritz Kreisler)
    3. Malagueña
    (arr. Fritz Kreisler)

    In the style of Albéniz —  Rodion Shchedrin (1932-2025)

    Allegro de concierto, op. 46  — Enrique Granados (1867-1916)

    Carmen Fantasie            —  Franz Waxman (1906-1967)

    Background information

    Born in Winnipeg, Canada, pianist Noel McRobbie first received national attention when he won top prize at the Eckhardt-Grammatté Piano Competition. He also received prizes at the CBC Début Concert Artist Series, Grand Konzerte International Piano Competition, Seiler International Piano Competition, and the University of Michigan Concerto Competition. Noel’s solo performances include the Steinway Series at the University of South Florida, Vancouver Chopin Society, and Sejong Chamber Hall in Seoul, South Korea.  As concerto soloist, he has performed with various orchestras, including the Winnipeg Symphony Orchestra and the Bulgarian Chamber Orchestra. Noel has collaborated frequently with violinist Domagoj Ivanović in recitals presented by Vancouver Chamber Players, Silk Purse Arts Centre, and Victoria Christ Church Cathedral. His performances have been broadcast on CBC radio, and he was featured in International Piano magazine and KBS television’s Classic Odyssey. Noel studied at the Vancouver Academy of Music, University of British Columbia, New England Conservatory, University of South Florida, and University of Michigan, where he received a Doctor of Musical Arts.  His teachers have included Lee Kum-Sing, Patricia Zander, Svetozar Ivanov, and Arthur Greene.  Previously, Noel was Assistant Professor of Piano at Dongduk Women’s University in Seoul, South Korea, and faculty member at music festivals presented by the Franz Liszt Academy in Budapest and St. Andrews Arts Council in New Brunswick.  Noel is currently on faculty at the Vancouver Academy of Music, and also teaches at Place des Arts and the Vancouver International Piano Festival. 

    Domagoj Ivanović moved to Canada in 2007, after graduating with a Doctor of Musical Arts degree in Violin Performance at the University of Miami, where he held the post of  a Teaching Assistant, while also serving as Assistant Concertmaster for the Miami Symphony Orchestra. Since then, he has quickly established himself as a violinist and an educator in the greater Vancouver area. Aside from being the Co-Head of Violin Department at the Vancouver Academy of Music he is also the Director of Comox Youth Music Centre’s (CYMC) Classical program. As a performer he has shared the stage with some of the top ensembles in Vancouver, such as the Vancouver Symphony Orchestra, Vancouver Opera Orchestra, and Turning Point Ensemble. He also adjudicated a number of festivals and competitions, including the North Shore Music Festival, Vancouver Youth Symphony Orchestra Concerto Competition, Surrey Youth Symphony Concerto Competition, and University of British Columbia Concerto Competition, to name a few.

  • Songs of Consolation for our Distracted Time

    Music for reflection and consolation – starting with early English keyboard works, moving onto French music from the 18th and 19th centuries, and culminating in the profound B flat major Sonata, D960, by Franz Schubert Thank you to pianist Bruce Vogt who performed this beautifully curated program, and to the lovely and gracious audience who attended.

  • Songs of Consolation for our Distracted Time

    Bruce Vogt, piano

    Sunday, November 2 at 2:30 pm

    Please note that this concert starts at 2:30

    Now, as we find ourselves in a time of confusion, chaos and bitter enmity throughout the world, it seems all the more important to listen to music together.” ~ Bruce Vogt. It can be consoling to remind ourselves of our civilization’s many great cultural achievements – in music and in all the arts. 
    The music for this program was written in past ages of great turmoil –  the mid-17th century English Civil War period, the mid-19th century revolutionary period in Paris, the period of great political oppression in early 19th century Vienna. For Bruce, it is profoundly consoling to live among these works, and to have this opportunity to share them with others.

     

    Programme

    Two Early English Keyboard Works

    Goe From My Window — John Munday (c. 1560-1630)

    A sad pavan for these distracted times (1649)   — Thomas Tomkins (1572-1656)

    Three French Keyboard Works

    L’Enharmonique. (c. 1728) — Jean Philippe Rameau (1683-1764)

    Les Cyclopes – Rondeau (c. 1731)  — Jean Philippe Rameau (1683-1764)

    Feuilles mortes (1911) — Claude Debussy (1862-1918)

    Three Works by Chopin

    Nocturne in G Major, opus 37 no. 2 (1839) — Frédéric Chopin (1810-1849)

    Mazurka in c# minor, opus 50 no. 3 (1842) — Frédéric Chopin (1810-1849)

    Nocturne in B Major, opus 62 no. 1 (1846) — Frédéric Chopin (1810-1849)


    Sonata in Bb Major, Opus post. D960 (1828) — Franz Schubert (1797-1828)

    i. Molto moderato

    ii. Andante sostenuto

    iii. Scherzo: Allegro vivace con delicatezza

    iv. Allegro, ma non troppo

    Background information

    Canadian pianist Bruce Vogt was born in southern Ontario but for the past 45 years has lived and worked in Victoria, BC where he has taught at the University of Victoria as Professor of Piano. As a soloist, he has appeared regularly in concerts within Canada and he tours yearly in many countries throughout Europe and Asia. His repertoire encompasses music from the sixteenth century to the present. In addition to having a special affinity for the music of Franz Liszt, he has performed on period instruments, and commissioned and premièred a number of new works.

    Because he sees teaching and working with young pianists and with piano teachers as an important commitment, he makes himself available as much as possible for master classes, workshops, festival adjudications, and lectures.

    In recent years, he has received many invitations in Canada and abroad to indulge another of his passions: improvising accompaniments to great films of the silent era. He has played for and lectured about films by Chaplin, Keaton, Lloyd, Griffith, Murnau and others.

    “TECHNICAL PERFECTION PAIRED WITH EMOTIONAL EXPRESSIVENESS … Compositions from Mozart, Chopin, Liszt resounded with seldom-heard perfection… What is apparent in his playing is the joy he takes in giving to others what he has so dazzlingly mastered…” – Usinger Anzeiger, ALTWEILNAU, GERMANY

    “RARE GRANDEUR … I have never heard [Liszt’s] Norma Fantasy played with such consummate largesse … I was mesmerized by Vogt’s sheer control. In Liszt’s Dante Sonata the structure of the work was never exposed and the final triumph of the piece rang from the piano with spine chilling inevitability.” – The Times, LONDON, ENGLAND

    “CONCERT OF THE YEAR … Splendidly subtle readings. Vogt made us listen to music that we might have missed, and some familiar items which we heard anew.” – Monday Magazine, VICTORIA, CANADA

    “A VIRTUOSO … the audience was literally enraptured.” – Le Républicain, PARIS, FRANCE

    ” … THOUGHTFUL AND THOUGHT-PROVOKING … The sophisticated yet ungimmicky presentation left the dry didacticism of lecture-recitals in the dust.” – The Globe and Mail, TORONTO, CANADA

    “MELANCHOLY MAGIC … Vogt’s concentrated pianistic command is to be respected along with his great empathy for poetic mood; he was able to draw from a great reserve of power without placing this power in the foreground.” – Frankfurter Allgemeine Zeitung, FRANKFURT, GERMANY

  • The Turning of the Leaves

    A lovely full house enjoyed Simon Farintosh’s varied program of original, arranged, and own compositions for solo guitar on Sunday. Our season is off to a great start!

    Thank you all for coming out on such a beautiful afternoon!

  • The Turning of the Leaves

    Simon Farintosh, guitar

    Sunday, October 5 at 2:30 pm

    Please note that this concert starts at 2:30

    An award-winning guitarist, composer, and educator, Simon Farintosh brings us a program of original music by Castelnuovo-Tedesco and Yoshimatsu, arrangements of pieces by Debussy and Albéniz, and a set of original Farintosh compositions. Named one of CBC’s “30 Under 30 Classical Musicians” in 2023, Simon regularly receives top honours in national and international competitions as performer and composer, and is currently completing his Doctor of Musical Arts degree at the University of Toronto.
     

    Programme

    Prelude in D Major, op. 39, no. 2 — Alexander Scriabin (1872-1915), arr. Simon Farintosh

    Pavane pour une infante défunte — Maurice Ravel (1875-1937), arr. Roland Dyens

    La sérénade interrompue — Claude Debussy (1862-1918), arr. Simon Farintosh

    Los Caprichos de Goya, op. 195 — Mario Castelnuovo-Tedesco (1895-1968)
    VII. Están calientes (They are hot)
    IX. Bien tirada está (It is nicely stretched)
    XI. Y se le quema la casa (And the house is on fire)

    Tableaux para Guitarra — Liova Bueno (b. 1979)

    I. Balada
    II. Siciliana
    III. Sarabanda
    IV. Burlesca
    V. Promenade

    Sunlit Shallows — Simon Farintosh (b. 1995)

    The turning of the leaves — Ralph Towner (b. 1940)

    Sky Color Tensor — Takashi Yoshimatsu (b. 1953)
    I. Noon
    II. Twilight
    III. Night
    IV. Midnight
    V. Dawn

    Background information

    Simon Farintosh is an award-winning guitarist, composer, and educator based in Victoria,
    BC. Named one of CBC’s ‘30 Under 30 Classical Musicians’ in 2023, he is known for his
    unconventional programming choices, connecting with audiences by integrating the classical guitar
    with more contemporary musical forms such as electronica and jazz. Simon is currently a music
    performance instructor at the University of Victoria, where he teaches undergraduate and graduate
    guitar students.
    Simon studied with Dr. Alexander Dunn at the University of Victoria, where he earned his Bachelor
    of Music Degree in 2018. Simon’s musical pursuits later took him to Milwaukee, WI, where he
    completed a Master’s Degree at The University of Wisconsin-Milwaukee in 2020. Here, he was a
    student and teaching assistant to Rene Izquierdo, a renowned Cuban virtuoso and revered
    pedagogue. Currently, Simon is in the finishing stages of a Doctorate of Musical Arts at the
    University of Toronto, where he is a student of Jorge Caballero and Dr. Jeffrey McFadden.
    Simon’s performances have garnered him top awards in various national and international
    competitions, including 1st Prize at the 2018 Northwest Guitar Festival in Spokane, WA. As a
    composer, he was recently awarded First Prize in the 2022 Ottawa Guitar Society Composition
    Competition for his original piece ‘Distant Light.’ He is a six-time recipient of the British Columbia
    Arts Council Award, and has been a featured performer for organizations such as the Vancouver
    Classical Guitar Festival, Victoria Conservatory of Music Summer Guitar Intensive, The Classical
    Guitar Society of Tri-Cities, Madison Classical Guitar Society, Victoria Guitar Society, Ottawa
    Guitar Society, Guitar Society of Toronto, and Higher Ground Music Festival.

  • Belonging

    Due to serious illness, the Bose-Pastor Duo has had to cancel their concert on Sunday.

    Our sincerest apologies to all ticket holders.

    Please phone 250-748-8383 with any questions.

    Bose-Pastor Duo: Antonio Pastor and Pia Bose

    Sunday, June 8 at 2pm

    Two pianists “who are in perfect harmony and complement one another ideally”, Pia Bose and Antonio Pastor have garnered warm critical acclaim for their “remarkable dexterity and subtlety” (Versoix Région). Pia and Antonio currently serve as piano faculty members at the École Internationale de Genève and the Conservatoire de Musique de Genève, respectively. Their program explores the human-nature connection through works by Debussy, Carl Vine, Liszt and Fazil Say.
     

    Programme

    In times of turmoil, we often retreat to Nature in search of simplicity, to rejuvenate the body and soul; yet our inner forces as human beings rarely allow this repose to be long-lasting. The four-hand piano program they have selected highlights this duality through its extra-musical associations — from the atmospheric, contemplative refuge from the outside world to the overt, traumatic expression of it — and is an exploration of context through four groundbreaking works: Maurice Ravel’s arrangement of Claude Debussy’s Prelude to an Afternoon of a Faun, Carl Vine’s Sonata for Piano Four Hands, Liszt’s arrangement of Les Preludes, and Fazil Say’s Night. Unlike the three other works, Vine’s Sonata has links to tradition in form and genre and is meant to have “no specific accompanying narrative or poetic allusion”; but its section titles (such as “Meditation”) make us question context-based interpretation, within the piece and in this program as a whole. The musical illustration of Nature — and the human struggle to simultaneously connect with it and beyond it — is central to the program. This is especially relevant in the world today, in which music can serve as a bridge to understanding our common sense of belonging.

    Prelude to The Afternoon of a Faun (1894), Arranged for piano four hands by Maurice Ravel — Achille Claude Debussy (1862 -1918)

    Sonata for Piano Four Hands (2009) — Carl Edward Vine (1954 – )
    I.Prelude
    II.Waltz
    III.Deuces
    IV.Meditation
    V.Toccata

    Les Préludes (1854), Transcription for piano four hands by F. Liszt — Franz Liszt (1811 – 1886)

    Night, Op. 68 (2016) — Fazil Say (1970 – )

    Background information

    Since forming the Bose-Pastor Duo in 2012, pianists Pia Bose and Antonio Pastor have garnered widespread acclaim for their “sensitive, alluring, and exhilarating performances.” Praised for their “remarkable dexterity and subtlety” and their intimate connection on stage, the pianists have distinct personalities yet share their instrument and musical sensibilities “in perfect harmony, ideally complementing one another” (Versoix Région).

    The husband-and-wife duo has received numerous honors and awards, including Second Prize in the 18th International Piano Duo Competition in Tokyo, Japan, interviews for Magma-Espace 2 (Radio Télévision Suisse) and Luxembourg’s Radio 100.7, and a featured article in Scènes Magazine. The pianists have appeared in major cities such as London, Paris, New York, San Francisco, Chicago, Lisbon, Edinburgh, Luxembourg, Milan, Geneva, and throughout Switzerland. Notable venues where they have performed together or as soloists include the Weill Recital Hall at Carnegie Hall, the St. Martin-in-the-Fields Embassy Series, St. James’s Piccadilly, the Palais de l’Athénée, and Preston Bradley Hall, during WMFT radio’s live broadcast of the Dame Myra Hess Memorial Concerts. In September of 2023, the Bose-Pastor Duo was invited to perform the inaugural concert of the Roser Piano and Keyboard Alumni Concert Series at the University of Colorado at Boulder, with “Dancing out of the Past,” a program they also performed for enthusiastic audiences at the San Francisco Noontime Concerts, and PianoFest Moudon and Schubertiade Sion in Switzerland. Audiences repeatedly lauded the duo’s charming rapport and its breathtaking, deeply moving performances.

    Hailing from different cultural backgrounds (Indian-American and Andalusian) and having followed divergent paths, the pianists met in Switzerland, their shared country of citizenship. They each completed early studies in their native countries of the United States and Spain and later obtained the Diplôme de Soliste from the former Conservatoire Supérieur et Académie de Musique Tibor Varga, where they worked intensively with the late pianist Dominique Weber.

    Pia Bose holds degrees from the Oberlin Conservatory, the Peabody Institute of the Johns Hopkins University, and the University of Colorado at Boulder, where she earned the Doctor of Musical Arts degree, and her former teachers include Andrew Cooperstock, Marian Hahn, Joseph Schwartz, and J.Y. Song. She completed further study at the Universität Mozarteum Sommerakademie in Austria with Boris Bloch and also holds a Bachelor of Arts degree in biopsychology from Oberlin College. Antonio Pastor holds the Diplôme d’Enseignement from the Haute École de Musique de Genève and the Profesor Superior de Piano degree from the Real Conservatorio de Música de Madrid, and his former teachers include Andrew Cooperstock, Sébastien Risler, and Fernando Puchol. Pia Bose and Antonio Pastor attended festivals such as the Banff Centre for the Arts in Canada, the Gijón International Piano Festival in Spain, and Rencontres Internationales Harmoniques Lausanne in Switzerland, and they were privileged to receive musical guidance from renowned artists such as Paul Badura-Skoda, Julian Martin, Robert McDonald, Boris Slutsky, Ana Guijarro, Alexei Nasedkin, John O’Connor, Bruno Canino, Blanca Uribe, Yoheved Kaplinsky, Marc Durand, Ann Schein, and Leon Fleisher.

    Passionate educators, Pia Bose and Antonio Pastor serve as piano faculty members at the École Internationale de Genève and the Conservatoire de Musique de Genève, respectively.

  • Once upon a Harp

    Harpist extraordinaire Josh Layne gave a beautiful concert on Sunday May 4th!

    Our very appreciative audience was treated to stories and legends told through original compositions as well as Josh’s arrangements of well-known classics, and had the opportunity to learn more about his unique instrument after the performance.

    Thank you to all who attended – we appreciate your support!

  • Once upon a Harp

    Josh Layne, harp

    Sunday, May 4 at 2pm

    Harpist/composer Josh Layne started studying the harp at age 13, and soon excelled at the instrument. Praised for his virtuosity and the sensitivity of his playing, he has recorded several CD’s, and has performed across North and South America, Europe, Australia and New Zealand. Layne’s concert of solo harp music will include some of his original compositions, and will culminate in a stunning arrangement of Smetana’s “The Moldau”, telling the story of the river’s journey through the Czech Republic.

    Programme

    Baroque Flamenco  — Deborah Henson-Conant (1953- ) 
                                            
    Concierto de Aranjuez — Joaquín Rodrigo (1901-1999), arr. Josh Layne
    2nd Movement: Adagio

    Uncharted Shores (2020) — Josh Layne (1977— )     

    Légende — inspired by Les Elfes by Leconte de Lisle — Henriette Renié (1875-1956)

    Winter — Antonio Lucio Vivaldi (1678-1741), arr. Josh Layne   

    Allegro non molto   
    Largo
    Allegro

    The Lark — Mikhail Glinka/Mily Balakirev (1804-1857/1837-1910), arr. Josh Layne

    The Moldau — Bedřich Smetana (1824-1888), arr. Hans Trneček

    Background information

    Harpist and composer Josh Layne is well-known as a consummate musician and has even been called a “harp genius”. He has performed extensively across Canada, USA, Europe, South America, Australia and New Zealand, and has been praised for both his virtuosity and the sensitivity of his playing.

    Josh has recorded 4 albums of solo harp music, including his 2013 CD  which features three of his original compositions for harp. Recent projects include a revival of Bochsa’s long dormant “Concerto No. 1 in
    D minor” with a performance at the World Harp Congress in Wales in July 2022.

    Josh’s biweekly YouTube series “It’s Tuesday… It’s Harp Tuesday!” was born out of a passion for teaching, and launched in 2010. The series covers all aspects of playing the harp, from the first lesson to in-depth looks at advanced music. With 250+ episodes and over 2 million views, Harp Tuesday is an amazing resource for harpists all over the world.

    Josh’s most recent YouTube project is “Harpist in the Wild”, a new video series combining his love of music and the outdoors.